Aniruth 5.1 Surround Mp3
Can an MP3 contain 5.1 or 7.1 Surround Sound Audio? Ask Question Asked 6 years, 6 months ago. Active 6 years, 6 months ago. Viewed 10k times 0. I know that the MP3 file format essentially supports mono and stereo audio with a number of sample rates and bit rates, but can it contain true surround sound audio? Is there a way to pack more than 2.
DTS ES comes in two flavors: DTS ES Matrix and DTS ES Discrete. Depending on the disc and decoder used the Cs (center surround) channel will either be derived from the Ls and Rs of a conventional 5.1 track via matrix decoding, or exist as a fully discrete digital extension to a 5.0 or 5.1 core. Tamil Mp3 Songs Free Download,Tamil Song Download,Tamil Audio Songs Download,New Latest All new Songs Download,Masstamilan,Songs Download Starmusiq,Latest Songs Download tamil,Tamil Cinema Songs Download,All Atoz Tamil Audio Songs Download,tamil Mp3,Tamil Latest Trending Songs,2019 Songs tamil Download,Tamil 320 Kbps Songs,Isaimini Songs Latest 2019,SenSongs 2019,Songs Download Pagalworld.
It was the summer of ’69. We’re not talking about the Bryan Adams song here; we’re actually referring to the first time surround sound became available in the home. It was called Quadraphonic sound and it first appeared on reel-to-reel tape. Unfortunately, Quadraphonic sound, which provided discrete sound from four speakers placed in each corner of a room, was confusing and shortlived — no thanks to companies (sound familiar?).Immersion in a three-dimensional audio sphere was not to be given up on, however. In 1982, Dolby Laboratories introduced Dolby Surround, a technology that piggybacked a surround sound signal onto a stereo source through a process called matrix encoding. Since then, Dolby, DTS, and others have helped advance the state of home surround sound with a variety of iterations. With so many options, though, the technology remains confusing for many.
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From basic 5.1 to Dolby Atmos setups with multiple overhead speakers, it’s a lot to wrap your head around. Our detailed guide aims to provide a little clarity to help you on your surround-sound quest. Surround sound 101 The speakersSurround sound, at its most basic, involves a set of stereo front speakers (left and right) and a set of surround speakers, which are usually placed just to the sides and just behind a central listening position. The next step up involves the addition of a center channel: A speaker placed between the front left and right speakers that is primarily responsible for reproducing dialogue in movies. Thus, we have five speakers involved. We’ll be adding more speakers later (lots more, actually), but for now, we can use this basic five-speaker arrangement as a springboard for getting into the different formats.
MatrixFor the purposes of this discussion, “matrix” has nothing to do with the. In this case, matrix refers to the encoding of separate sound signals within a stereo source.
This approach was the basis for early surround-sound formats like Dolby Surround and Dolby Pro Logic, and was motivated in part by the limited space for discrete information on early audio-video media, such as the VHS tape. Pro LogicUsing the matrix process, Dolby’s Pro Logic surround was developed to encode separate signals within the main left and right channels. Dolby was able to allow home audio devices to decode two extra channels of sound from media like VHS tapes, which fed the center channel and surround speakers with audio.
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Because of the limited space, matrixed surround signals came with some limitations. The surround channels in basic Pro Logic were not in stereo and had a limited bandwidth. That means that each speaker played the same thing and the sound didn’t involve much bass or treble information.
5.1: Surround takes shape Dolby Digital 5.1 / AC-3: The benchmarkRemember LaserDisc? Though the medium was first invented in 1978, it wasn’t until 1983, when Pioneer Electronics bought a majority interest in the technology, that it enjoyed any kind of success in North America. One of the advantages of LaserDisc (LD) is that it provided a lot more storage space than VHS tape. Dolby took advantage of this and created AC-3, now known better as Dolby Digital. This format improved on Pro-Logic in that it allowed for stereo surround speakers that could provide higher bandwidth sound. It also facilitated the addition of a low-frequency effects channel, adding the “.1” in 5.1, which is handled by a subwoofer.
All of the information in Dolby Digital 5.1 is discrete for each channel — no matrixing necessary.With the release of Clear and Present Danger on LaserDisc, the first Dolby Digital surround sound hit home theaters. Even when DVDs came out in 1997, Dolby Digital was the default surround format.
To this day, Dolby Digital 5.1 is considered by many to be the surround sound standard, still included on most Blu-ray discs.Image courtesy of DTS: The rivalWhat’s a technology market without a little competition? Dolby more or less dominated the surround-sound landscape for years. Then, in 1993, DTS (Digital Theater Systems) came along, providing its own digital surround-sound mixing services for movie production, first hitting theaters with Jurassic Park. The technology eventually trickled down to LD and DVD, but was initially available on a very limited selection of discs. DTS utilizes a higher bit rate and, therefore, delivers more audio information. Think of it as similar to the difference between listening to a 256kbps and 320kbps MP3 file. The quality difference is noticeable, but according to some, negligible.
6.1: Kicking it up a notchIn an effort to enhance surround sound by expanding the “soundstage,” 6.1 added another sound channel. The sixth speaker was to be placed in the center of the back of a room and was subsequently referred to as a back surround or rear surround. This is where a lot of confusion began to swirl around surround sound. People were already used to thinking of and referring to surround speakers (incorrectly) as “rears,” because they were so often seen placed behind a seating area. Recommended speaker placement, however, has always called for surround speakers to be placed to the sides and just behind the listening position.The point of the sixth speaker is to give the listener the impression that something is approaching from behind or disappearing to the rear. Calling the sixth speaker a “back surround” or “surround back” speaker, while technically an accurate description, ended up being just plain confusing.To make things even more confusing, each company offered different versions of 6.1 surround. Dolby Digital and THX collaborated to create a version referred to as “EX” or “surround EX” in which information for the speaker is matrix encoded into the left and right surround speakers.
DTS, on the other hand, offered two separate 6.1 versions. DTS-ES Discrete and DTS-ES Matrix performed as their names suggested. With ES Discrete, specific sound information has been programmed onto a DVD or Blu-ray disc, while DTS-ES Matrix extrapolated information from the surround channels.
7.1: The spawn of Blu-rayJust when people started getting used to 6.1, 7.1 came along in conjunction with HD-DVD and Blu-ray discs as the new must-have surround format, essentially supplanting its predecessor. Like 6.1, there are several different versions of 7.1, all of which add in a second back-surround speaker. Those surround effects that once went to just one rear surround speaker could now go to two speakers in stereo.
The information is discrete, which means that every speaker is getting its own specific information — we can thank the massive storage potential of Blu-ray for that.Dolby offers two different 7.1 surround versions. Dolby Digital Plus is the “lossy” version, which still involves data compression and takes up less space on a Blu-ray disc. Dolby TrueHD, on the other hand, is lossless. Since no compression is involved, Dolby TrueHD is intended to be identical to the studio master.Image courtesy ofDTS also has two 7.1 versions, which differ in the same manner as Dolby’s versions. DTS-HD is a lossy, compressed 7.1 surround format, whereas DTS-Master HD is lossless and meant to be identical to the studio master.It’s important to note here that 7.1-chann.